江南夜静月如盘，灯火璀璨映河湾畔静偬淌琶仪穆温缸孛焊纱

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江南夜静月如盘，灯火璀璨映河湾畔静《临江仙·夜饮东坡醒复醉》原文翻译及赏析_作者苏轼夜饮东坡醒复醉归来仿佛三更家童鼻息已雷鸣敲门都不应倚杖听江声长恨此身非我有何时忘却营营夜阑风静纹平小舟从此逝江海寄余生
《谢新恩·冉冉秋光留不住》原文翻译及赏析_作者李煜冉冉秋光留不住满阶红叶暮又是过重阳台榭登临处茱萸香坠紫菊气飘庭户晚烟笼细雨雍雍新雁咽寒声愁恨年年长相似关心瓢友盘
《古诗十九首（东城高且长）》原文翻译及赏析_作者汉无名氏东城高且长逶迤自相属回风动地起秋草萋已绿四时更变化岁暮一何速晨风怀苦心蟋蟀伤局促荡涤放情志何为自结束燕赵多佳人美者颜如玉被服罗裳衣当户理清曲音响一何悲弦急知柱促驰情整巾带沉吟聊踯躅思为双飞燕衔泥巢君屋《临江仙·长爱碧兰干影》原文翻译及赏析_作者晏几道长爱碧阑干影芙蓉秋水开时脸红凝露学娇啼霞觞熏冷艳云髻袅纤枝烟雨依前时候霜丛如旧芳菲与谁同醉采香归去年花下客今似蝶分飞这是一首描写荷花的词头两句总写荷塘全景园林修筑精美池边护以阑干芙蓉开时水光花色阑干影构成了美妙的景色秋水二字既交代季节时令更说明池水的清澈以下三句好像推近了摄像镜头用特写的手法突出描绘艳丽的荷花脸红凝露学娇啼一句把盛开的花朵比喻为美女的脸颊艳红的颜色如同敷上了一层又薄又匀的胭脂而花瓣上的露珠则像是美女娇啼的泪痕显然这是拟人化的艺术手法以花拟人以人比花既写外在的形貌颜色也写内在的情感思绪是颇具匠心的以下两句仍然延续拟人手法并且进一步伸展开来黄昏时分落霞与酒杯一色薰染着荷花呈现着一片冷艳花朵在荷梗上袅袅微颤好像是凌波微步时美女的发髻上片调动多种修辞手段极力描绘荷花之美下片抒写离别之情仍然围绕着荷花而展开时届深秋烟雨风霜依旧又是采莲时候荷花已然结成莲蓬池塘经霜以后只剩下了一片枯枝败叶这景象当然不免有些萧瑟悲凉但作者把采莲称作采香却仍然保留着对荷花的一丝眷恋之情最后两句归结到深切的感叹上去年花下客今似蝶分飞时光的流逝夹带着人世的变迁追思往昔何以胜情词章虽已终结而其余韵犹在回荡
《夏意》原文翻译及赏析_作者苏舜钦别院深深夏席清石榴开遍透帘明夏席清一作夏簟清树阴满地日当午梦觉流莺时一声《余干旅舍(摇落暮天迥)》原文翻译及赏析_作者刘长卿摇落暮天迥青枫霜叶稀孤城向水闭独鸟背人飞渡口月初上邻家渔未归乡心正欲绝何处捣寒衣

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